And, yes, like last week, before we get into the nuts and bolts of writing, let’s talk about Process. This is where you take the craft, what I’ll be covering for the next bunch of Wednesdays, and you turn it into art. Every writer has a different process. It’s a unique path you must find for yourself. So don’t think anything on craft is an unbreakable rule. Otherwise you’ll never become an artist.
And remember, the three rules of rule-breaking!
It’s said that monsters are humans externalizing their inner fears. As long as there have been legends and myths, there have been monsters. On maps of old, the parts that hadn’t been explored yet were marked simply: Here There Be Monsters. With some artistic license, ancient map-makers would draw monsters in those empty spaces. Usually attacking a ship. Just to make mariners feel all warm and comfy.
There have been untold numbers of monsters portrayed in books and movies. They range from the tiniest: nanotechnology and viruses, to the massive, Godzilla and the like. The tone with which monsters are presented runs the gamut from campy to ominous.
Naturally, the most dangerous monsters are the most real. And that would be people. But let’s not go there right now, although I do like what Peele did in Get Out. He took that element of scary movies, where the people in them always do the dumbest things and flipped it. “GET OUT!” Seriously. Never ever go check on that bump in the night. The Cabin in the Woods did something similar and was funny but also very scary.
There are some classic genre monsters: vampires, werewolves and the like. Stephen King is the master of the horror novel and he’s had a wide array of monsters. Pennywise in IT builds on our natural fear of clowns. Can’t sleep, clowns will get me.
I don’t know about others, but every so often I have the Godzilla dream, where something huge is stomping around hunting for me and I have to hide. A shrink could have a field day with that one– really that’s an easy one to knock out of the park.
I saw Alien when it first came out at the post movie theater near the quads at Fort Benning. The night before my first airborne jump. Not the smartest idea.
Stephen King’s Salems Lot made vampires very, very scary. Anne Rice’s Interview with a Vampire was a great read. Brilliant titles which tells you the core concept.
If you think about it, Jaws made a creature that exists into a monster. You’re much more likely to get hit by the idiot texting/driving monster than bitten by a shark.
I use monsters of legend in some of my books: kraken, Yeti, chimera, etc. Because I believe there is a kernel of truth in every legend. Even if its just a subconscious fear externalized.
Zombies are a classic example of something subconscious bubbling up. I’m not much into zombies, personally– no smart ass comments, thank you very much. Although there was one movie that twisted it and I liked: Warm Bodies.
Sacriest movies? Hmm. Jeepers Creepers was, well creepy. Tremors was scary at first, but also fun. “Picked the wrong rec room to break into!”
Looping to people being the scariest, Last House on the Left, the 1972 version, was banned in many places because it was all too real.
The scariest horror short stories I’ve read were King’s The Mist (the movie adaptation had one of the most devastating endings ever! but the TV version now is ARGH, bad). Who Goes There by John Campbell is very scary. Published in 1938. The movie The Thing From Another World was based on it. BTW, that’s Gunsmoke‘s James Arness as the Thing.
I’ll stop there or I’ll never stop. What monsters scare you?
Sassy Becca agrees with Cool Gus. She’s lying there, thinking deep thoughts. Very deep thoughts.
The reality is that politics is a dirty business. War is an extension of politics by other means, some human named Clausewitz said (his dog passed that on). There are times when ruthless politicians wage war on their own citizens in order to further their own means. Cool Gus sometimes wonders if it shouldn’t be the other way around; dogs run things and humans just lay around and try not to make messes.
Alejandro (Benicio Del Toro) says it to Kate Mace (Emily Blunt). From avenging assassin to FBI agent.
I re-watched the movie last night and it never gets old. I notice more details each time. As a writer, I know details are important. For example, when they stop during the convoy in Mexico, the missing women posters on the wall—those are Alejandro’s wife and daughter.
I think the movie wasn’t very popular because of the message; and because many people didn’t get the message in the first place, even though it’s clearly explained by Josh Brolin to Kate after they come out of the tunnels and she asks him what “Medellin” means.
The scene where Alejandro finally confronts Fausto Alarcon while he is eating with his family is one of the most stunning scenes I’ve ever seen. Fausto’s wife has a moment of clarity when Alejandro says “Don’t forget about my daughter.” At that moment, she knows her fate. The look on Fausto’s face after Alejandro takes action is perfect. A reality he inflicted on others but had never imagined for himself.
The movie is one of the most realistic portrayals I’ve seen of covert operations. How things really work. What’s interesting is that the last scene, before Alejandro says that line, he’s there to get Kate to sign a letter saying everything they had done was above board. They had to comply to the letter of the law. Of course, he puts a gun to her chin and tells her she will be a suicide when she initially refuses to sign.
We live in a country where the norms have gone out the window. Where common decency seems a lost art. Not among most Americans, but among the fringes on both ends.
Sicario was about the trade-offs made in the real world. Not the imaginary world where the lines between good and evil are clear cut. The world is gray. And those on the fringes of either end don’t see it as grey. They see it the way they want to see it.
That is a very dangerous thing. Because people who do that will deny fact. They will deny reality.
I see some tough times ahead. And most people aren’t wolves. But this is the land of the wolves now.
We covered idea last week, but this week, before we get into story and character and all that, let’s briefly talk about being an author. Because the craft of writing is only half the equation. If you want to be an author you need to understand the other half and here is an introduction to the program I use, Write It Forward. There’s a lot here!
Next week we’ll cover The Writing Process. How to go from being a craftman to an artist.
In keeping with a popular theme making the rounds, I thought I’d point out that the 2nd of July 1776 was the day the Colonies actually announced our independence. The full text of the Declaration was accepted on the 4th of July, but the document was signed on the 2nd of August. John Adams truly believed 2 July was going to be Independence Day. What did he know?
There are terms I hate seeing on social media. Here are two: “Fake news” and “mainstream media”.
First, they were invented by a media outlet that produces the most “fake” news of all; that’s just a well researched and substantiated fact, not an opinion or a political stance.
But an important lesson was learned. Say the same phrase often enough, long enough, and it will become a catch-phrase. People will believe it.
I used the term fake news to make a point. A tripod is unstable. How many of us eat off a table with three legs? Better to have four, correct? The Fourth Estate, aka journalism, is needed for a reason.
The trend in our country now is for people to find a stream of “media” that fits their views and to stick with it. To never be challenged in what they believe. To have what they believe reinforced. And, more importantly, to have what they fear, pushed in their face.
There is extremism on both ends of the spectrum and it’s allowed out country to be successfully invaded. Not just invaded. We lost the cyber war. We’re not dead yet, but we’re teetering.
We’re not innocent in this; in fact we were one of the leaders in cyber warfare with Stutsnex. We attacked a country we are not legally at war with. We have our justifications, but they are our justifications. We are tremendously concerned, with good reason, with other countries developing nuclear weapons and also the ability to project that power at distances. What we must also remember is we have more nuclear weapons than any other country and the best means to project them. We also are the only country in the world that has shown the true willingness to use them; because we are the only country who has used them. Twice. We had our justifications.
The third phrase I hate is “Let’s make American great again.” I wonder when exactly that refers to? We’ve had some ups and downs in our history. As far as I know, no one who says that phrase has clarified exactly when they’re talking about. We’ve been good, but I’m not sure we’ve been great for an extended period of time. We’ve had moments of greatness. One that really makes me proud to be an American is the Berlin Airlift. We had our justification for it, but it also helped a lot of people and showed a determination that we can aspire to.
If I had to pick the greatness of America that sets it apart from almost all other countries it is this: we’re potluck. We’re a mixture of every race, religion, you name it, we got it. Anyone can walk down an American street and you simply can’t know if they are an American or a foreigner. There aren’t many countries in the world where they can’t tell who is local and who isn’t. (Native Americans might have a bone of contention here).
The past is done. What we must aspire to is to make America great. A more understanding country. A less belligerent one, even as we are still embroiled in the longest war (technically not a war, but something else, something as ill-defined as when we were great) in our history. We have combat troops on the ground in six other countries. Yet we are a country that wouldn’t tolerate another country’s combat troops on our soil for a nanosecond. We fly drones and use them to fire missiles over many other countries. Yet not for an instant would we tolerate that. We need to ruminate on that and consider what we’re doing. Is all this in our best, long-term interests? Is it in the world’s best, long-term interests.
Plus, we need to really reboot, because we just got our ass kicked in a war that is probably going to destroy the United States as we’ve known it. Never mind great. I’ll take survive.
I believe the vast majority of Americans are good people. With good intentions. Who are capable of greatness. But the fringe, on either side, has to be stopped. We have to beware of catch phrases. We can’t blithely believe things are clear cut. That there are easy answers. We have to listen to people we don’t agree with; with an open mind. Before we jump to outrage, let’s spend some time on understanding.
But the most important thing Americans have to do is stop being afraid. It is with our fear that we are being manipulated. Fear of strangers, fear of other religions, and the deepest fear of all: fear of change.
The world is changing. For good and bad. We have to face that with a core of courage and the willingness to do what it will take. We are on the precipice. Whether we fall or not is up to us.
Let’s make America great.
Why go all the way out to Nevada?
As foolish as Sassy Becca who always ends up on the wrong side of the door.
Some guard dogs have passed along Tails of what they were guarding out there. Cool Gus isn’t supposed to tell, but for bacon– sure. Why not?
BTW– Cool Gus has his own Twitter account, since he seems to be more popular than, well, moi. @coolguspub
In honor of Independence Day weekend, that book in the Time Patrol is FREE here.
Every Wednesday will be Writer Wednesday. I’m going to post a slideshow of material that I use when I present. These are slideshares and I’ll add tidbits here and there.
This one includes a video clip that I think is very enlightening for artists on a number of levels. It’s an audition; the person auditioning gets rejected, but quickly learns, adapts and does the hardest thing of all: change.
It all starts with an idea. Every story has a moment of conception. But idea is not story. There’s a big difference between the two. Some say every idea has been done. The big key to idea is that it cannot change while you’re writing, or else every thing must change. But you can keep the same idea and completely change the story. Make sense? Of course!
My wife and I watch I, Claudius every year. It’s a thing. Not long ago I was in Target looking for a VHS player. The kid working there looked at me oddly, like “What’s VHS?” They had one. They we learned it had been updated to DVD so we bought that. I guess he wouldn’t know what 8-Track of Beta is.
The thing about Lonesome Dove is when I read the book, and I’ve read it several times, the casting fits the characters perfectly. Tommy Lee Jones doesn’t even seem like Tommy Lee Jones. He’s Call. And Gus. Well, that’s why Cool Gus is Gus.
I’m sure there are more that would come to mind, but off the top of my head, those two really resonate. What are some of your favorites?